My buddy Kieran and I were waxing lyrical on the wonder of the Sunday morning album recently. He offered up the notion that that particular time of the week was optimal for enjoying good albums. But, what makes an album good for Sunday morning?
I suppose it has to have several things going for it. Firstly, it has to be something that everyone present will enjoy, or at the very least, tolerate. If the music is familiar and well-loved it adds a cosy comfort to the morning atmosphere, but that's not necessary essential. It can be a gamble to try a maiden listen on a Sunday morning and a wobbly aural start to the day can be difficult to shift, if the mood isn't right.
Ultimately, you want the musical equivalent of a loving hug. Or a welcoming sunrise. Something that seems to promise that today will be a good day. For a lot of people, Sunday morning is a special time, and to have a soundtrack worthy of inhabiting the family's ears is just good sense. It's a time to recharge and reflect on the week that was, while pondering the incoming one.
We always have a big breakfast on Sunday, or as we call it 'Special Breakfast'. Usually that means French toast and hashbrowns for the kids, bacon and eggs for me and Rhones. I tend to add in mushrooms and grilled tomato as well. It's one of the only times we all sit around the dining table together, and we always endeavour to keep it sacred.
So, for the hour or so I spend in the kitchen preparing Special Breakfast, it's good to have some choice tunes going. I'll ruminate on this subject a bit more in the future, methinks, but for now, I will simply offer up some of my favourite albums to play on a Sunday morning.
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A lovely, mellow record to throw on the turntable. It even has an instrumental track called Sunday that finishes it off. Drake's voice is quite soft-spoken, which results in a vocal delivery that doesn't intrude. It sits nicely in the background, but you can also sing along when you want to. Big hallmark of a Sunday morning album right there, I reckon.
Tapestry CAROLE KING (1971)
Another good quality for a Sunday morning album to have is a solid tracklisting. This record is a prime example of the classic adage 'all killer, no filler'. Even when it starts off with the slightly funky I Feel The Earth Move, it's not intrusive. It's a hearty welcome to the morning in the guise of a piano riff. The ballads are certainly more enjoyable on a lazy Sunday, but the upbeat numbers don't make you feel like you should be getting up to clean house or anything.
Fleet Foxes FLEET FOXES (2008)
These guys are getting played quite a bit in our house at the moment. While our son Lachlan and I battle for sonic supremacy, there are a number of bands we both like to play. This is one of them, and this album is wonderful for a Sunday morning. Reverb-drenched vocals and folky music production together with hooks and lovely lyrics. When White Winter Hymnal kicks off, you can't help but hum or sing along. Their second album Helplessness Blues is also a corker.
Spring and Fall PAUL KELLY (2012)
A fairly mellow affair, this album could also pass for a late night record. Following the loose concept of the start and end of a romantic relationship (the spring and fall, as it were), this has some of Kelly's best work on it. The promise of New Found Year, as the couple celebrate their love together sits well with the jaunty For The Ages. As the tide turns and the themes get darker, the musical production doesn't; it remains light and acoustic. None Of Your Business Now does have a menacing feel, but it doesn't grab you by the throat or anything. The album's closer, Little Aches and Pains, is one of my favourite PK songs ever.
Feels Like Home NORAH JONES (2004)
Norah's follow-up to Come Away With Me is a more enjoyable affair, in my humble opinion. There's a relaxed feeling that permeates the whole record, and it seems as though you're just listening to musicians jamming. Everything sounds effortless and easy, much like a Sunday morning should be. Her cover of Tom Waits' Long Way Home is a big highlight, as is What Am I To You?, which features Levon Helm on drums and Garth Hudson on keys.
Apple Venus XTC (1999)
XTC's thirteen studio album, is also their second last effort, sadly. From the opening string plucks of River of Orchids to the haunting final notes of The Last Balloon, this is hugely enjoyable power pop that never outstays its welcome. Again, the upbeat numbers here are never overpowering, and there's an optimism throughout most of the playlist. Your Dictionary being one of the obvious exceptions, but I'd Like That and Easter Theatre are wonderful doses of sunny pop.
Modern Times BOB DYLAN (2006)
Dylan's last album of his critically acclaimed 'Late Trilogy' (along with the excellent Time Out of Mind and Love & Theft), is immensely enjoyable and perfect for a Sunday morning. Although the opening riffs of Thunder on the Mountain threaten to derail the desired free-and-easy atmosphere, the song settles into a steady toe-tapping groove. Even the guitar solos don't grate against you. Rollin' and Tumblin' could also blow the doors off in the hands of another interpreter, but Dylan keeps a lid on his band nicely. Ballads like Workingman's Blues No.2 and Spirit on the Water rank amongst Dylan's best tracks and they certainly help to welcome a new day.
Utilising the mellow acoustic feel of the Harvest, Comes a Time and Harvest Moon albums, this absolute pearler is a joy from start to finish. Songs of love, nostalgia and gentle yearnings. The title track holds strong significance between Rhona and I as well, citing it as one of (if not, THE) 'our songs'. I rank Distant Camera and Razor Love pretty highly as well. Hearing Neil reminisce about his old band on Buffalo Springfield Again is something special too.
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